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Le Sony'r Ra, better known as Sun Ra, was an American jazz composer, bandleader, piano and synthesizer player, and poet known for his experimental music, "cosmic" philosophy, prolific output, and theatrical performances. For much of his career, Ra led The Arkestra, an ensemble with an ever-changing name and flexible line-up.
The Heliocentric Worlds of Sun Ra, Volume One is a 1965 album by the jazz musician Sun Ra. The back cover describes it as an "album of compositions and arrangements by Sun Ra played by Sun Ra and his Solar Arkestra".
Archie Shepp is an American jazz saxophonist, educator and playwright who since the 1960s has played a central part in the development of avant-garde jazz.
Hal Blaine was an American drummer and session musician, thought to be among the most recorded studio drummers in the music industry, claiming over 35,000 sessions and 6,000 singles. His drumming is featured on 150 US top 10 hits, 40 of which went to number one.
John Gilmore was an American jazz saxophonist, clarinetist, and percussionist. He was known for his tenure with the avant-garde keyboardist/bandleader Sun Ra from the 1950s to the 1990s, and led The Sun Ra Arkestra from Sun Ra's death in 1993 until his own death in 1995.
Laurdine Kenneth "Pat" Patrick Jr. was an American jazz musician and composer. He played baritone saxophone, alto saxophone, and Fender bass and was known for his 40-year association with Sun Ra. His son, Deval Patrick, was formerly governor of Massachusetts.
Purple Night is a studio album by free jazz pioneer Sun Ra. It was released in 1990 on A&M Records.
Ahmed Abdullah is an American jazz trumpeter who was a prominent member of Sun Ra's band.
Ronald Boykins was a jazz bassist and is best known for his work with pianist/bandleader Sun Ra, although he had played with such disparate musicians as Muddy Waters, Johnny Griffin, and Jimmy Witherspoon prior to joining Sun Ra's Arkestra.
This is a timeline documenting events of jazz in the year 1961.
Interstellar Low Ways is an album recorded by the American jazz musician Sun Ra and his Myth Science Arkestra, mostly recorded in Chicago, 1960, and released in 1967 on his own El Saturn label. Originally titled Rocket Number Nine, the album had acquired its present name, and the red-on-white sleeve by Claude Dangerfield, by 1969. The album is known particularly for the two songs featuring chants, "Interplanetary Music" and "Rocket Number Nine Take off for the Planet Venus". These would stay in the Arkestra's repertoire for many years.
Rocket Number Nine points toward the music that the Arkestra would be playing on the lower East Side of New York City. The tenor sax solo isn't the work of John Coltrane in 1962, but of John Gilmore in 1960. And not even Ornette Coleman's bassists were playing like Ronnie Boykins at this date.
The Futuristic Sounds of Sun Ra is an album by the American jazz musician Sun Ra and his Arkestra, recorded on October 10, 1961, for the Savoy label and released in 1962.
Art Forms of Dimensions Tomorrow is an album by the American jazz musician Sun Ra and his Solar Arkestra. Often considered the first of Ra's 'outside' recordings, the album was the first to make extensive use of a discovery by the Arkestra's drummer and engineer Tommy Hunter:
'Art Forms of Dimensions Tomorrow.... contained "Cluster of Galaxies" and "Solar Drums", two rhythm section exercises with the sound treated with such strange reverberations that they threatened to obliterate the instruments' identity and turn the music into low-budget musique concrète. While testing the tape recorder when the musicians were tuning up one day, Hunter had discovered that if he recorded with the earphones on, he could run a cable from the output jack back into the input on the recorder and produce massive reverberation:
"I wasn't sure what Sun Ra would think of it... I thought he might be mad - but he loved it. It blew his mind! By working the volume of the output on the playback I could control the effect, make it fast or slow, drop it out, or whatever." [Tommy Hunter]
'By the 1950s commercial recording companies had developed a classical style of recording which assured that the recording process itself would be invisible... but Sun Ra began to regularly violate this convention on the Saturn releases by recording live at strange sites, by using feedback, distortion, high delay or reverb, unusual microphone placement, abrupt fades or edits, and any number of other effects or noises which called attention to the recording process. On some recordings you could hear a phone ringing, or someone walking near the microphone. It was a rough style of production, an antistyle, a self-reflexive approach which anticipates both free jazz recording conventions and punk production to come.' John F Szwed
Secrets of the Sun is an album by the American Jazz musician Sun Ra and his Solar Arkestra. The album is considered one of the more accessible recordings from his 'Solar' period. Originally released on Ra's own Saturn label in 1965, the record was unavailable for many years before being reissued on compact disc by Atavistic in 2008.
'Marking a transition in its development between the advanced swing of the early Chicago-era recordings and the increased free-form experimentation of its New York tenure, this album also reveals the first recorded versions of two Ra standards, "Friendly Galaxy" and "Love in Outer Space." Accessible, yet segueing into vanguard territory, this album highlights a fertile period in the Arkestra's history. Looser and more aggressive than its Chicago recordings, these pieces find the Arkestra pushing at the limits of harmony and tonality.' Troy Collins
Other Planes of There is an album by the American Jazz musician Sun Ra and his Solar Arkestra. Recorded in 1964, the album had been released by 1966 on Sun Ra's own Saturn label. The record was reissued on compact disc by Evidence in 1992.
'Granted, the selection is certainly not as abrasive and demanding as later efforts, although there is strident involvement from everyone within the dense arrangement. The brass and reed sections provide emphasis behind an off-kilter and loping waltz backdrop. All the more impressive is how well the material has held up over the decades. Even to seasoned ears, the music is pungent and uninhibited, making Other Planes of There a highly recommended collection.' Lindsay Planer
Hours After is an album by American composer, bandleader and keyboardist Sun Ra recorded in 1986 in Italy and released on the Black Saint label in 1989. The album was recorded at the same sessions the produced Reflections in Blue which was released in 1987.
Kevin Jones is an American jazz percussionist and band leader. Jones's music is influenced by that of Cuba and Congo.
Michael Ray is an American jazz trumpeter. He tours extensively with Kool & the Gang, Sun Ra and the successor Sun Ra Arkestra under Marshall Allen's direction following Sun Ra's passing. For a period from the mid-1990s to the present he leads his own band, Michael Ray and the Cosmic Krewe. His playing with Sun Ra and independently has incorporated funkjazz, R & B, electronica and fusion genres.
In the Beginning 1963–1964 is a 4-CD compilation album by American free jazz saxophonist Pharoah Sanders recorded in 1963-1964 and released in 2012 on the ESP-Disk label. It features previously unreleased recordings of Sanders performing with groups led by Don Cherry and Paul Bley, complete concert recordings of Sanders' appearances with Sun Ra, a re-release of Sanders' first album, and various interviews.
Ayé Aton, was an American painter, designer, muralist, musician, and teacher.
References
- 1 2 3 4 Aaron, Peter (July 1, 2013). "Marvin "Bugalu" Smith - The Beat Goes On". Chronogram Media. Retrieved May 23, 2021.
- 1 2 3 4 5 Petride, Ron (February 2011). "What Do You Know About? - Marvin "Bugalu" Smith" (PDF). Modern Drummer . 35 (2): 90–91. ISSN 0194-4533 . Retrieved May 24, 2021.
- 1 2 "Marvin Bugalu Smith". All About Jazz . March 4, 2020. Retrieved May 23, 2021.
- ↑ Cohan, Brad (March 2, 2020). "Dave Sewelson: More Music for a Free World (Mahakala)". JazzTimes . Retrieved May 24, 2021.
